Sunday, 15 December 2024

Is the Writer's Advance Dead?

Once upon a time...

In sunnier and happier times, a writer could dream of a life-changing advance—a lump sum paid upon signing a book deal, often before the manuscript was even finished. For decades, the advance represented both validation and survival: a signal that a publisher was investing in your voice and a way to buy time to write.

But in a post-recession, inflation-heavy world where publishers are cautious and profits are razor-thin, that model is cracking. Advances are shrinking, disappearing, or being replaced by radically different payment structures. The era of “write now, get paid later” may be taking over—and authors need to understand what’s happening.


1. Advances Are Shrinking—Fast

Most authors, even traditionally published ones, never received six-figure deals—but now even modest advances are being slashed.

  • $5,000–$10,000 is the new norm for midlist or debut authors with small-to-medium publishers.

  • Some presses are offering zero-dollar advances, opting instead to split royalties from book one.

  • Larger publishers still offer big deals—but primarily to celebrities, influencers, or proven bestsellers.

This shift isn’t just about budget cuts. Publishers are increasingly driven by data: if you don’t already have an audience or platform, the risk is too high to justify a large upfront payment.


2. The Rise of Royalty-Only Deals

To reduce financial risk, more publishers are shifting to royalty-only models—you get paid as your book sells, not before.

This might sound fair, but the reality is sobering:

  • Most books don’t earn out. Without an advance, authors can work for years without a single paycheck.

  • Royalty structures can be murky, especially when tied to net profit rather than list price.

  • Marketing budgets may vanish for royalty-only authors, making success dependent on the writer’s own promotional effort.

Some hybrid publishers or digital-first imprints even push all production costs onto the author—creating a confusing space between publishing and self-publishing.


3. Subscription Platforms and Revenue Sharing

As reader habits shift to subscription models (Kindle Unlimited, Scribd, etc.), publishers are experimenting with payment models that resemble streaming services:

  • Authors are paid per page read, not per book bought.

  • Revenue is pooled, then distributed according to usage.

  • Payments fluctuate monthly, and are affected by the number of books in the system—not just your book’s quality or popularity.

For prolific genre writers, this can be lucrative. For others, it creates an unpredictable income stream that lacks transparency and long-term sustainability.


4. Author-Funded Publishing: The Blurry Middle

In economic downturns, more writers are drawn to self-publishing or hybrid publishing, where the author pays for editing, design, and distribution upfront—often thousands of dollars.

The reward? Total control and potentially higher royalties.

The risk? No safety net. If the book doesn’t sell, the writer absorbs the entire loss.

Some “hybrid” publishers blur ethical lines, charging author fees while failing to offer real distribution or marketing—essentially vanity publishing under a new name. In a recession, desperation can make these models seem attractive when they’re anything but.


5. The Crowdfunding Model: Risk + Reward

Platforms like Kickstarter, Indiegogo, and Unbound offer a different take: the author asks readers to fund the book in advance.

Pros:

  • You retain creative control.

  • You test market interest before publication.

  • You can earn money before writing is complete.

Cons:

  • Campaigns are time-consuming and demanding.

  • Failure is public—and demoralizing.

  • You’re on the hook to deliver rewards and fulfillment, often without help.

Still, in a recession, this model offers something no traditional system can: direct reader investment.


So... Is the Advance Dead?

Not quite. But it’s no longer the standard.

The traditional advance model was designed for an era of higher book sales, lower competition, and more stable consumer spending. In today’s climate—especially one facing recession or even depression—it’s becoming a relic.

Publishers want flexibility. Readers want low prices. Writers, caught in the middle, must now balance art, entrepreneurship, and strategy more than ever before.


Value Upfront or Value Over Time?

The future of writer payment is evolving from a one-time bet to a long-term partnership—or, in many cases, to an entirely independent venture.

Writers need to:

  • Diversify income streams (think: freelancing, workshops, Patreon, merch).

  • Negotiate wisely, understanding royalty terms and rights reversion clauses.

  • Plan financially, treating writing like a startup—where profitability may take time.

The advance may be dying, but that doesn’t mean a writing career has to. It just means that the game has changed—and knowing the new rules is half the battle.

Sunday, 1 December 2024

Publishing in a Post-Prosperity Era

With the election of Donald Trump we should fully expect a recession sometime in 2025 or 2026 due to poor financial decision making. Putting an incompetent senile man in diapers in charge of economic policy is not going to be good for the American economy.

As such the post Biden years should perhaps be called "the Post-Prosperity Era". Or the Trump Depression. Whichever the historians pick.

For writers and publishers this will be a tough time...

The book industry has weathered countless storms—wars, technological revolutions, even pandemics. But the economic landscape emerging now is different. With inflation stubbornly high, traditional publishing models weakening, and reader habits shifting under financial pressure, we may be entering a post-prosperity era—one where success looks different, and survival means adaptability.

So what does the next decade really look like for writers? Let’s unpack what’s changing, what’s staying the same, and where opportunity still lives.


1. The Shrinking Middle

In a strong economy, the publishing world can support a broad spectrum of authors—from literary mid-listers to breakout bestsellers to niche genre writers. In a weaker economy, that middle gets hollowed out.

  • Debut authors face tougher odds. Publishers are less likely to take risks, especially on non-commercial voices. Even seasoned writers are being dropped if their sales stagnate.

  • Bestsellers consolidate power. Big names and celebrity authors continue to sell, drawing even more of the shrinking marketing and retail space.

  • The small and indie presses suffer. Less access to paper, print runs, and shelf space can strangle smaller houses that rely on narrow margins.

For most writers, this means leaner advances, shorter contracts, and fewer promotional resources—even if your work is critically acclaimed.


2. Digital Dominance, With Caveats

Ebooks and audiobooks are not just alternatives anymore—they’re becoming the primary formats for many readers, especially younger ones. The lower production costs and scalability make them attractive in tough economic times.

However, digital doesn’t solve everything:

  • Ebook markets are oversaturated, making discoverability a constant battle.

  • Revenue per unit is lower, especially through subscription services.

  • Audiobook production remains expensive, despite growing demand.

Still, authors who embrace digital early—and learn the platforms, algorithms, and promotional tools—will have a major edge. Expect more serialized content, interactive storytelling, and author-run newsletters.


3. Direct-to-Reader Is the New Frontier

As traditional publishing tightens its belt, more writers will move toward reader-funded models. Platforms like Patreon, Substack, Ko-fi, and Kickstarter will become mainstream income streams for writers of all stripes.

This path isn’t easy. It requires:

  • Constant content output.

  • Community-building and audience engagement.

  • Entrepreneurial skill and long-term planning.

But for writers willing to engage directly with readers—and create value beyond the book itself—it can be more sustainable than chasing elusive publishing deals.


4. Literary Value Will Compete With Economic Utility

In a time of economic uncertainty, readers often prioritize usefulness over beauty. Nonfiction that teaches, solves problems, or offers survival insight may outsell literary fiction or experimental poetry.

That doesn’t mean the novel is dead—but it does mean:

  • Fiction writers may need to frame their work more clearly in terms of emotional or social relevance.

  • Genre fiction (thrillers, romance, dystopian) may dominate over slower literary works.

  • Hybrid genres and cross-media storytelling (visual novels, podcasts, web fiction) may become entry points for new audiences.

Art will survive—but it may have to meet the moment more directly than before.


5. Global Perspective, Local Strategy

The post-prosperity era will also push writers to think globally but act locally:

  • Foreign rights sales may become more important than ever as writers tap into expanding markets abroad.

  • Local events, school visits, indie partnerships could become lifelines for authors who can’t rely on national tours or retail chains.

  • Translations, collaborations, and anthologies may become more common as writers pool resources and audiences across borders.

Success won’t just come from writing the best book—it will come from writing the right book, at the right time, for the right audience, with the right delivery system.


Final Thoughts: The Age of Resilient Storytelling

The next ten years won’t be defined by abundance, but by adaptability. Writers who succeed in the post-prosperity era will likely be:

  • Multi-skilled (writing, marketing, editing, tech-savvy).

  • Diversified (multiple income streams, multiple genres or formats).

  • Community-driven (connecting with readers and fellow creatives directly).

It may not be easy—but it can still be meaningful. After all, some of the most enduring literature in history was created during times of hardship. The future may be leaner, but it’s not without potential—for those ready to write smarter, not just harder.

Friday, 1 November 2024

Book Review: To Green Angel Tower

To Green Angel Tower is the epic conclusion to Tad Williams’ Memory, Sorrow, and Thorn trilogy. As darkness tightens its grip on Osten Ard, Simon and his allies must face impossible odds to stop the Storm King’s return. Packed with emotional stakes, sweeping battles, and revelations that reshape the world, this final volume delivers a powerful payoff to the richly layered saga. A masterclass in high fantasy, To Green Angel Tower is a deeply satisfying finale that rewards patient readers with unforgettable moments and a lasting sense of wonder.

 


 

Friday, 18 October 2024

Book Sale + Free Short Stories, Oct 16 to 20

Fantasy Books by Charles Moffat

 Visit amazon.com/author/moffat to get free short stories and huge discounts on fantasy books by Charles Moffat. Sale ends on October 20th.


Thursday, 10 October 2024

Book Review: I Dig Freedom (Wizard of Id)

I Dig Freedom is a hilarious collection from the classic Wizard of Id comic strip, blending sharp wit with medieval mayhem. Set in a kingdom where the peasants are revolting (and often hilarious), this volume captures the timeless humor of political satire, bumbling royalty, and the ever-hopeful Wizard. With its quick punchlines and clever commentary, I Dig Freedom is a must-have for fans of classic newspaper comics and anyone who enjoys a good laugh at the absurdity of power.

 


 

Thursday, 12 September 2024

Book Review: The High King

The High King by Lloyd Alexander is the thrilling finale to The Chronicles of Prydain, where Taran, the Assistant Pig-Keeper, must face his greatest challenges yet. As war threatens the land and evil rises in its final form, Taran must make choices that test his courage, loyalty, and heart. Rich with heroism, sacrifice, and hard-won wisdom, The High King delivers a powerful and emotional end to a beloved fantasy series—one that leaves readers with a deep sense of wonder and a bittersweet goodbye.

 


 

Wednesday, 14 August 2024

Book Review: Taran Wanderer

Taran Wanderer by Lloyd Alexander is a heartfelt and introspective journey through the land of Prydain, as Taran sets out to discover his true identity and place in the world. Unlike the grand battles of earlier books, this tale focuses on inner growth, hard lessons, and the quiet strength found in ordinary lives. Full of wisdom, humor, and beautifully drawn characters, Taran Wanderer is a coming-of-age story that deepens the emotional core of the series and sets the stage for its powerful conclusion.

 


 

Wednesday, 10 July 2024

Rebranding to From Pen to Publication

I’m thrilled to announce a major change for my blog! “Magazine Publishing Portal” is transforming into “From Pen to Publication”. This shift comes with an exciting expansion in focus. While the original blog centered on magazine publishing, “From Pen to Publication” will now serve as a versatile platform dedicated to helping writers succeed across various aspects of the publishing world.

As a writer, getting your stories into the world can feel like a daunting task, and I’m here to help guide you through every step. Whether you’re looking to self-publish your work, market your books effectively, or land features in magazines, “From Pen to Publication” will provide the resources, strategies, and inspiration you need to make it happen. Additionally, I’ll dive into key economic insights about the publishing industry—covering topics like trends, royalties, and business strategies to help you navigate the financial side of being an author.

This blog will be a one-stop resource to empower writers and offer valuable knowledge on publishing, marketing, and economics, so you can take control of your writing career. I’m excited for this new chapter, and I can’t wait to share all the helpful content that’s coming your way! Stay tuned for tips, insights, and updates that will help you on your path to success.

REMEMBER TO BOOKMARK

frompentopublication.blogspot.com

Monday, 1 July 2024

How Economic Instability is Shaping Publishing Logistics

A Perfect Storm of Shortages

In times of economic upheaval, most of the attention in publishing goes to falling book sales, shrinking advances, and consumer behavior. But beneath the surface lies another pressure point—one that's more logistical but just as critical: the supply chain. In particular, the paper shortage that’s been growing since the pandemic has collided with inflation, labor disruptions, and tighter budgets.

The result? Delayed releases, smaller print runs, higher costs—and an industry forced to rethink how it gets stories into readers’ hands.

The global paper shortage isn’t new, but it's been exacerbated by several converging factors:
  • Mills closing or converting to packaging: As digital media consumption rose and physical book sales temporarily dipped in 2020, many paper mills shifted to producing cardboard and packaging for e-commerce.

  • Shipping delays and fuel costs: Global freight disruptions, rising fuel prices, and port backlogs have made importing paper more expensive and unpredictable.

  • Labor shortages: From truck drivers to warehouse staff, every step in the production and distribution chain has felt the strain, leading to bottlenecks and delivery delays.

How This Affects Publishers

For large and small publishers alike, these disruptions lead to tough decisions. Some of the most common industry responses include:

  • Smaller print runs: To manage costs and avoid unsold inventory, publishers are printing fewer copies up front—even for anticipated titles.

  • Delayed release dates: Paper unavailability has led to postponed launches, which can throw off carefully planned marketing cycles and author tours.

  • Higher prices: The cost of raw materials gets passed down. Expect to see increased cover prices, especially for hardcovers and specialty formats.

  • More digital reliance: Ebooks and audiobooks become fallback options when physical books are delayed or priced out of reach. Some publishers are staggering digital and print releases as a result.

Indie Authors and Small Presses Hit Hardest

While big publishing houses may have standing contracts with paper suppliers, small presses and indie authors often print through on-demand services or smaller printers—both of which have seen cost spikes. These players are more vulnerable to volatility in paper pricing and availability. A higher cost per unit can turn a modest profit margin into a loss, especially if readers are unwilling to pay more.

For authors who fund their own print runs (for events, festivals, or direct sales), the math has become difficult. What was once a $4 print cost for a $15 book may now be $6 or more. That doesn’t just eat into profits—it makes bulk buying and inventory stocking more financially risky.

Environmental Pressures and Sustainable Alternatives

Amid the chaos, there’s a growing push for sustainable solutions. Recycled paper, shorter formats, and local printing are gaining attention. However, eco-friendly paper options are often more expensive in the short term, making them a harder sell during a recession.

Some publishers are experimenting with "just-in-time" printing (smaller, localized runs), which cuts storage costs but demands agile distribution. Others are bundling print and digital together to create hybrid models that offer flexibility without relying solely on paper.

What This Means for Readers

From a reader’s perspective, the paper shortage and inflationary pressures may not be immediately visible—but the effects are there:

  • Fewer bookstore releases and more "out of stock" notices.

  • Higher cover prices for physical editions.

  • An increase in ebook promotions and bundled subscriptions.

  • Fewer large-scale book events due to unpredictable inventory.

For the average reader, it might mean choosing between formats or waiting longer for the book they want.


Storytelling in a Material World

At its heart, publishing is still about connecting readers and writers. But the paper that carries those words—the literal foundation of publishing—is increasingly under pressure. As the economy tightens and supply chains strain, the industry must find new ways to adapt.

Whether that’s through smarter printing strategies, better use of digital platforms, or reshaping reader expectations, one thing is clear: paper is no longer taken for granted. And in a world where logistics matter as much as literature, that changes everything.

Saturday, 1 June 2024

The Problem of Vanity Magazines

Why Vanity Magazines Are Often a Waste of Money and Time

In the world of publishing, writers are always looking for opportunities to showcase their work, build their reputation, and potentially earn income from their craft. Among the many options available, vanity magazines often present themselves as an appealing avenue for writers, particularly those who are new to the industry or struggling to gain traction. However, despite their allure, vanity magazines are frequently criticized for being a waste of money and time. Here’s why.

Understanding Vanity Magazines

First, it's important to define what vanity magazines are. Unlike traditional literary magazines, which typically have a rigorous selection process and often pay contributors, vanity magazines charge writers a fee to publish their work. These fees can range from modest amounts to exorbitant sums, depending on the publication. The term "vanity" itself suggests that the primary appeal of these magazines is to cater to the writer's ego rather than to provide a legitimate, respected platform for their work.

The Cost of Vanity Publishing

One of the most immediate drawbacks of vanity magazines is the financial cost. Aspiring writers might find themselves paying hundreds or even thousands of dollars to see their work in print. This financial outlay is rarely justified by the benefits received. Here’s why:

  1. Lack of Return on Investment: The money spent on vanity magazines could be better invested in professional editing services, writing workshops, or submissions to reputable literary magazines. These alternatives not only improve the quality of the writer's work but also offer a more substantial chance of meaningful publication.

  2. No Payment for Writers: In traditional publishing, writers are compensated for their work. Vanity magazines, however, often require payment from the writer instead. This inversion of the typical financial relationship devalues the writer's labor and undermines the principle that good writing deserves compensation.

The Question of Credibility

Publishing in vanity magazines often does little to enhance a writer’s credibility within the literary community. Here’s why:

  1. Lack of Editorial Standards: Vanity magazines are typically less selective about what they publish since their revenue comes from writer fees, not from the quality of the content. This can lead to a dilution of quality and a lack of critical editorial feedback, which are crucial for a writer’s development.

  2. Reputation in the Literary Community: Being published in a vanity magazine does not carry the same weight as being published in a respected literary journal. Literary agents, publishers, and fellow writers are often aware of the nature of these publications and may not regard them as credible achievements.

Exposure and Readership

One of the promises of vanity magazines is increased exposure. However, this claim often falls short for several reasons:

  1. Limited Audience: Vanity magazines generally have a small readership, often limited to the contributors themselves and their immediate circles. The goal of publishing is to reach a broad and engaged audience, something that vanity magazines typically fail to deliver.

  2. Poor Distribution: These magazines often lack the distribution channels that reputable literary magazines have. Without proper distribution, even the most beautifully produced magazine will not reach its intended audience.

Impact on a Writer’s Career

Engaging with vanity magazines can have long-term negative impacts on a writer's career:

  1. Missed Opportunities: Time and money spent on vanity magazines could be better spent submitting to reputable journals, entering writing contests, or networking within the literary community. These activities are more likely to lead to meaningful publication opportunities and professional growth.

  2. Potential Stigma: Having a portfolio filled with vanity magazine publications can sometimes carry a stigma. It signals to industry professionals that the writer may not have the discernment or the ability to be published in more prestigious venues.

Alternatives to Vanity Magazines

For writers seeking publication, there are far more beneficial avenues to explore:

  1. Reputable Literary Magazines: Research and submit to well-regarded literary journals. While the competition is fierce, being published in these outlets can significantly boost a writer’s profile.

  2. Online Platforms and Blogs: Many online platforms and literary blogs are open to submissions and can provide valuable exposure without the associated costs of vanity magazines.

  3. Writing Contests: Entering writing contests can be a great way to gain recognition and potentially win prizes. Many contests also offer publication opportunities for winning entries.

  4. Self-Publishing: With the rise of digital publishing, self-publishing has become a viable option. Writers maintain control over their work and can potentially reach a wide audience through effective marketing strategies.

Conclusion

While vanity magazines might seem like a convenient shortcut to publication, they often prove to be a costly and unproductive detour. The financial burden, coupled with the lack of credibility and limited exposure, makes them a poor investment for serious writers. Instead, writers should focus their efforts on more reputable avenues that respect their work, offer constructive feedback, and provide genuine opportunities for career advancement. By doing so, writers can build a more credible and sustainable literary career.

 


 

Thursday, 30 May 2024

How to get your Story published in a Speculative Fiction Magazine

If you're looking to publish short fiction in literary magazines or anthologies that focus on speculative fiction, here are some strategies and tips to enhance your chances of success.

Recommended Strategy

  1. Create a Submission and Tracking Document:

    • Record the details of each submission, including the date, magazine name, and the status of your submission. This will help you stay organized and avoid sending duplicate submissions.
  2. Research and Rank Potential Markets:

    • Make a list of potential magazines and anthologies. Rank them based on their pay rate (cents/word or total payout) and their policies on simultaneous submissions.
  3. Target High-Paying Markets First:

    • Start by submitting to the three highest-paying markets that do not accept simultaneous submissions. These markets often offer more substantial compensation but require exclusive submissions. Submit to these one at a time, moving to the next only after receiving a rejection.
  4. Submit Widely to Simultaneous Submission Markets:

    • If the top three markets reject your story, submit it to all magazines that accept simultaneous submissions. This increases your chances of acceptance. Skip any markets that charge a submission fee unless you're willing to invest in that particular opportunity.
  5. Utilize Feedback:

    • If a magazine rejects your work but provides feedback or an edited version, consider incorporating the suggested changes before submitting to the next market.
  6. Track Submission Deadlines:

    • Keep an eye on submission windows and deadlines for each market to ensure you don't miss any opportunities.

Additional Advice for Speculative Fiction Writers

  • Read and Research: Familiarize yourself with the magazines and anthologies you're targeting by reading their previously published works. This will give you a sense of what they are looking for and help you tailor your submissions accordingly.

  • Network and Engage: Join online communities and forums dedicated to speculative fiction. Engage with other writers and editors to learn about new opportunities and get feedback on your work.

  • Craft a Strong Cover Letter: Write a professional and concise cover letter to accompany your submission. Highlight any previous publications or relevant experience, but keep it brief.

  • Stay Persistent: Rejection is a common part of the submission process. Don’t get discouraged—keep refining your work and submitting to new markets.

  • Utilize Submission Platforms: Websites like Submittable, Duotrope, and The Grinder are invaluable resources for finding and tracking speculative fiction markets. These platforms often have advanced search functions that allow you to filter by genre, pay rate, and submission policies.

  • Consider Anthologies and Contests: In addition to magazines, look for themed anthologies and writing contests. These can be great avenues for publication and often have specific calls for speculative fiction.

Other Resources

  • List of Magazines: Some websites have comprehensive lists of speculative fiction magazine publishers. Make use of such resources as they can be very useful for writers looking to get published.

For now, I recommend browsing platforms like Submittable and similar websites that curate lists of publications, including speculative fiction.

Best of luck with your submissions!

 


 

Monday, 22 April 2024

Issue #21 of 100subtexts magazine

 

 
100subtexts literary magazine
instagram: @100subtextsmagazine
 
 Today sees the release of issue 21 of 100subtexts magazine.
 
Within this brand new issue,  an excellent bumper issue, you will find art and stories by a variety of talented artists and writers.




Friday, 15 March 2024

Poetry Book by Canadian Poet Gail M. Murray

Do you enjoy poetry by Canadian poets? Yes? Then do check out Gail M. Murray's book: Reflections & Reveries

She has a book launch coming up on April 14th 2024 at the Stone Cottage Pub in Scarborough, Ontario. See the book launch details below:



About the Author

Gail M. Murray B.A. B. ED. was an English teacher and teacher-librarian with a focus on drama and literature. Gail grew up on a small farm in Pickering surrounded by nature, walking in woods, fields and gardens like the Romantics. For several years, Gail performed with Scarborough Theatre Guild and Scarborough Music Theatre. After retiring Gail became a free-lance writer. Like Keats, she seeks to capture the essence of the moment. Gail’s writing is a response to her natural and emotional environment.

Her poems have been published in Written Tenfold, Blank Spaces, Wordscape, Arborealis, The Banister, CommuterLit.com and her collection Reflections and Reveries. Her creative non-fiction has appeared in The Globe and Mail, Trellis, Heartbeats,  Renaissance, The Ontario Gardener, NOW Magazine, Blank Spaces, Just Words Volume 2, Stony Bridges, Ottawa Review of Books, Historical Novels Review, Our Canada, More of Our Canada, Devour and Our Canada, Our Country, Our Stories.

Sunday, 11 February 2024

Book Review: FireDrake

Firedrake by Richard A. Knaak launches the Dragonrealm series with a tale of magic, destiny, and rebellion. In a world dominated by the shape-shifting Dragon Kings, young Cabe Bedlam finds himself at the center of a conflict that threatens the balance of power. Armed with the mystical Horned Blade and guided by a legacy he barely understands, Cabe must confront the tyrannical Duke Toma, who seeks to unleash unspeakable evil upon the realm . Blending fast-paced action with rich world-building, Firedrake is a captivating start to an epic fantasy saga.

 


 

Wednesday, 24 January 2024

Call for Submissions: Peasant Magazine Issue #2

 

Peasant Magazine is seeking submissions for Issue #2. Specifically it is looking for fantasy, historical fantasy, historical fiction and magical realism stories that are between 1,000 and 8,000 words in length.

PM is a free nonprofit fantasy/historical fiction/magical realism literary magazine that focuses on stories set on earth prior to 1750 or set in a fantasy world.

Furthermore stories don't have to be 'first time publications'. They also accept reprints of previously published works.

Peasant Magazine is available in both 8x11 magazine format from Amazon, and as a free PDF for download.

Peasant Magazine Issue #1, 8x11

Peasant Magazine Issue #1, Free PDF

 

 




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